No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
Woo (I), 2025. Aluminium, Flu Flu Feathers, motor and stainless steel. 50 x 50 x 37 cm. Photo: David Stjernholm
Woo (I), 2025. Aluminium, Flu Flu Feathers, motor and stainless steel. 50 x 50 x 37 cm. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
Keepsake, 2025. Necklaces (Anna, Jean, Mariam). Variable dimensions. Photo: David Stjernholm
Woo (II), 2025. Aluminium, Flu Flu Feathers, motor and stainless steel. 50 x 50 x 37 cm. Photo: David Stjernholm
Woo (II), 2025. Aluminium, Flu Flu Feathers, motor and stainless steel. 50 x 50 x 37 cm. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
TenderTorrent (II), 2025 (Detail). Embroidery on dyed cotton (I knew I loved you from the moment I laid my eyes on you), stainless steel and magnets. Variable dimensions. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
Seeder, 2025. Aluminium, ceramics, aura cleansing room spray (Love Spell), paraffin shavings, ostrich feathers, motor and stainless steel. 156 x 73 x 95 cm. Photo: David Stjernholm
Seeder, 2025 (Detail). Aluminium, ceramics, aura cleansing room spray (Love Spell), paraffin shavings, ostrich feathers, motor and stainless steel. 156 x 73 x 95 cm. Photo: David Stjernholm
Hush, 2025. Ceramics, stainless steel, synthetic rubber and tufted yarn rug. 115 x 130 x 130 cm. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
Hush, 2025. Ceramics, stainless steel, synthetic rubber and tufted yarn rug. 115 x 130 x 130 cm. Photo: David Stjernholm
The Ghost in my mouth (II), 2025 (Detail). Embroidery on bleached, dyed voile (You’ll never need anyone but me, Your love is all I need), stainless steel and magnets. 320 x 155 x 8 cm. Photo: David Stjernholm
Hush, 2025 (Detail). Ceramics, stainless steel, synthetic rubber and tufted yarn rug. 115 x 130 x 130 cm. Photo: David Stjernholm
Hush, 2025 (Detail). Ceramics, stainless steel, synthetic rubber and tufted yarn rug. 115 x 130 x 130 cm. Photo: David Stjernholm
The Ghost in my mouth (II), 2025 (Detail). Embroidery on bleached, dyed voile (You’ll never need anyone but me, Your love is all I need), stainless steel and magnets. 320 x 155 x 8 cm. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
Bride, 2025 (Detail). Ceramics, rose quartz, dip dyed linen, stainless steel and magnets. 320 x 130 x 144 cm. Photo: David Stjernholm
Spin-off, 2025. Polished lead. 21,5 x 16 x 2,5 cm. Photo: David Stjernholm
Hang Heavy, 2025. Embroidery on dip dyed linen (I just can’t live without you, I just can’t live without you, I just can’t live without you), stainless steel and magnets. 320 x 168 x 6 cm. Photo: David Stjernholm
Hang Heavy, 2025 (Detail). Embroidery on dip dyed linen (I just can’t live without you, I just can’t live without you, I just can’t live without you), stainless steel and magnets. 320 x 168 x 6 cm. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
Fawn, 2025. Freshwater pearl, latex, aluminium, motor and stainless steel. 97 x 78 x 54 cm. Photo: David Stjernholm
Fawn, 2025 (Detail). Freshwater pearl, latex, aluminium, motor and stainless steel. 97 x 78 x 54 cm. Photo: David Stjernholm
No One’s Gonna Live You Like I Do, 2025. Installation view, Møstings Hus. Photo: David Stjernholm
Monument (Freeze), 2025 (Detail). Embroidery on dyed, boiled wool (No one’s gonna love you like I do, No one’s gonna love you like I do, No one’s gonna love you like I do, No one’s gonna love you like I do, No one’s gonna love you like I do), stainless steel, magnets. 320 x 168 x 8 cm. Photo: David Stjernholm
Monument (Flight), 2025 (Detail). Embroidery on dyed, boiled wool (I’ll never let you go), stainless steel, magnets. 320 x 168 x 8 cm. Photo: David Stjernholm
Romeo, 2025. Stainless steel and latex. 220 x 173 x 75 cm. Photo: David Stjernholm
Romeo, 2025 (Detail). Stainless steel and latex. 220 x 173 x 75 cm. Photo: David Stjernholm
Nesting Swarm, 2025 (Detail). Ceramics, stainless steel, dyed cotton and magnets. 256 x 286 x 70 cm. Photo: David Stjernholm
Nesting Swarm, 2025. Ceramics, stainless steel, dyed cotton and magnets. 256 x 286 x 70 cm. Photo: David Stjernholm

No One’s Gonna Love You Like I Do, 2025
Solo exhibition, Møstings Hus, Frederiksberg DK
Curated by: Nanna Stjernholm Jepsen

Press release:

In the exhibition No One’s Gonna Love You Like I Do, Christine Overvad Hansen unfolds the power structures of a psychologically abusive relationship. Her works present a narrative of possessive jealousy, control, and power – as well as resistance, hope, and turning points.

“No one’s gonna love you like I do” initially sounds like a big and profound declaration of love, innocent in all its devotion. But the statement also holds an inversely serious perspective, because if the tone is just slightly shifted, it suddenly appears as a threat. “No one’s gonna love you like I do.”

The exhibition No One’s Gonna Love You Like I Do is structured around this ambiguity and explores the cultural markers that, for centuries, have shaped our ideas about romance and relationships – reminding us how the warning signs of abuse can be mistakenly interpreted as love.

Christine Overvad Hansen combines classical sculptural traditions with a performative approach to materials. Sculptures with feather fans, soft textiles, and scents guide the visitor into the exhibition. We are led and seduced into increasingly condensed spaces, where sculptures on walls and floors – half-hidden behind curtains – create sculptural situations within Møstings’ simultaneously grand and intimate setting, addressing the mechanisms at play in relationships marked by psychological violence.

The exhibition is curated by Nanna Stjernholm Jepsen and realized with support from Ny Carlsbergfondet, Statens Kunstfond, Poul Johansen Fonden, Grosserer L.F. Foghts Fond, Overretssagfører L. Zeuthens Mindefond, Det Obelske Familiefond, Frederiksberg Kommune, and Arbejdernes Landsbank.

A catalogue will be published in connection with the exhibition, edited by curator Nanna Stjernholm Jepsen.


The exhibition is kindly supported by:

Grosserer L. F. Foghts Fond

Knud Højgaards Fond

Augustinus Fonden

  1. Juni Fonden

Kindly supported by:

Poul Johansen Fonden

Grosserer L. F. Foghts Fond

Overretssagfører L. Zeuthens Mindefond

Det Obelske Familiefond

Frederiksberg Kommune

Arbejdernes Landsbank